Natalie, an award-winning arts producer and fundraiser from Hong Kong, works in the UK.

She received the Stage One Producers’ Bursary and the Arts Council England Developing Your Creative Practice Fund for her work in theatre.

For her work in Film and TV, she received Film and TV Charity’s Sir Horace Ové Grant and Screenskills Bursary.

Recent Theatre Producer credits include: The Lonesome Death of Eng Bunker (Kakilang, Omnibus Theatre); The Dao of Unrepresentative British Chinese Experience (Kakilang, Soho Theatre); This is Not A Show About Hong Kong (UNTAPPED and Fringe First Winner); Bakla (Asian Arts Awards Winner); Blanket Ban (UNTAPPED Winner, Southwark Playhouse).

As Associate Producer, she worked on Best of Enemies West End. As Consultant, she contributed to WILD the Musical with the City Chamber Orchestra of Hong Kong.

Driven by her ambition for a more inclusive arts and culture sector, she was Innovator and Agent for Change for Artistic Directors of the Future between 2022-2023. During this time, she researched and highlighted hidden barriers faced by Global Majority practitioners stepping into leadership positions and made cases for change and peer to peer support.

She received the Community Grant from Film and TV Charity to deliver peer-to-peer support during COVID-19. In 2024, she was a leadership facilitator for PAC Australia at International Society for Performing Arts Congress in Perth and received the British Council Festival Travel Grant for exchanges with China.

Natalie held previous leadership roles at Streatham Space Project and Kakilang, Arts Council England National Portfolio Organisation producing East and Southeast Asian artists. She also served as Producer for In Good Company and General Manager for Creative Youth, where she won the Arts Fundraising and Philanthropy’s Giving Tuesday Competition for Digital Innovation.

Additionally, she received the Blackbaud Scholarship for completing her Postgraduate Certificate in Philanthropic Studies at the University of Kent.